(charlotte de witte, lefto, stuff. reworks) reworkings of classic tracks just wouldnt be the same without an accompanying vinyl release. on this 12 weve selected three sublime cuts to fill out the grooves and deliver the ultimate listening experience. limited to 500 copies, no repress

in the spirit of pioneering library music manufacturers and archives like de wolfe and kpm, red bull music academy presents a series of library music releases by academy alumni. new zealandís grayson gilmour helms the inaugural entry with his unique combination of baroque pop, electronics, and new wave sounds, accompanied by a remix from bristolian ambient and drone producer paul jebanasam. mastered at calyx and manufactured via handle with care.

red vinyl edition of the new beck album. comes with download code included.

electronic pop act penelope is the second release on fellow swede pjotr’s label. backed up by remixes from roger 23 and physical therapy, the band offers three dystopian pop songs spanning from futuristic, villainous r&b to trance filled breakbeat ending with a guitar based ballad - all songs being infected by penelope’s machiavellian lusting vocals.
roger 23 delivers two versions of the title track, the first a forceful chi-town beat adventure with raw outer space chords (including full original vox), the second a reduced effective piercing dub straight from the outer sphere. physical therapy closes with a psychedelic version of “rattlesnake” built around hard-hitting tribal drums.

feared, loved, hated and respected mancunian boogie crew full beam! dig deep into the cooler to bring you 8 big bombs for your bags. all hitters no shitters. a double lp of rare boogie grenades to blow up your dance floor featuring dubbed out club hits, midnight moochers, soul drenched drippers & balls out boogie. a banger for every point of the party - this is some specialist gear right off the hydrofoil. the fb! crew don t know what any of their tunes are called and who they are by because they can never be bothered to read the labels or sleeves (reading = very, very boring) therefore no track-list provided. take a leap of faith - you will not complain. the record comes with the number for the full beam! gee-line through which more information can be obtained (call at own risk). strictly for radio and dj use only. red laser corp.

pressing on translucent red vinyl, cut at 45 rpm.

after making waves a few years back via his potatohead people project (with astrological) and co-producing illa j s critically acclaimed self titled lp, vancouver based playboy & producer nick wisdom steps out from behind the boards to deliver his first solo release for bastard jazz. the -intimate strangers- ep mines deep into nick s proclivities for disco, hip-hop, and house flavours. -good times- kicks things off with a snapping four on the floor, deep rhodes chords and a rollicking bassline and vocals courtesy of mr. wisdom himself. -feelin alright- heads into outerspace disco territory with cosmic synths, walking bass, and sultry vocals courtesy of reva devito (hw&w, kaytranada). on the flipside -don t tell- brings in some 80s boogie vibes with downlow vocals from san francisco s k-maxx, while -rock the cash bar- is an instrumental party rocking hip-hop jam sounding like a modern day showbiz & ag.

a fast and furious funkadelic classic, as guitarist eddie hazel returns to galvanise george clinton’s funky, rocky masters.

limited edition red coloured double vinyl plus download code.

zwo fremde was recorded in 1994 by zky and daniel paul (aka cab drivers). the next year cabinet records was founded. the track now comes in full length on vinyl, mastered from the original tape. this gem is a master piece and a blueprint for many tracks these guys made. also other artists are inspired by this timeless classic, like konstantin sibold: it was the model for his track >mother< he said. backside 50 is the perfect b-side and rounds off the 50th release on berlins house label no. 1.
>zwo fremde< contains somewhere in the middle of the track original 1994 dirt, thats how they recorded the jam.
your vinyl copy is fine!

“rocks foe returns to black acre with new, eight-track project ‘fight the good? fight’ — a dark and conceptual record built around the notion of, according to rocks himself, “everything being an internal and external battle”. a powerful lyricist and complex story-teller, rocks’ sound combines hyper-fierce spitting with his own, abstract beat sketches. having released his impressive debut ep, ‘legion’, back in 2015 — a raw, self-produced grime-rap hybrid — he has since remained dormant to the outside world, bar a quick-fire feature on commodo’s ‘how what time’ lp in 2016.

skinhead moonstomp revisited is a new recording of the classic album with roy ellis. the band continue to play shows and festivals in the uk and europe.
pressing on red coloured 180 gram vinyl.

eric maltz is a producer from new york city and now resides in berlin, germany. he is a former employee of halcyon records from its og glory days in it s first location in red hook/carrol gardens areas of brooklyn. -eric provided a sofa to me often through-ought my 20 s and vice-versa, we both cared about music above all else- we lived and breathed music- and we helped each other survive when we were penniless - if one was up, so was the other... eric and i were roommates, friends, we looked out for each other in a rough city with tough rules. every time one of us got a job at a restaurant or record shop, within weeks we would have the other working there too. we did that for a decade. we slang records for years at halcyon- a shop on smith street which had a portrait of stevie wonder painted on the front facade- and we threw parties all around brooklyn back then too.. every shitty bar that would have us lol. we were a dope team. he s the only person who has ever touched the third rail on a subway and survived too! true story. so you know i couldn t wait to release his debut lp. proud of this guy- - levon vincent

million brazilians formed in portland, oregon in 2006. founding members grant corum and suzanne stone have been central to the band since its inception, while a rotating line-up backs them depending on the latest vision for the sound. tip! the band carry out their own interpretation of a genre bending ethos that has evolved throughout the american underground. drifting between boundless compositions, focused energetic improvisations and experimental collaborations that embrace a weird sort of transcendence. their next installment red rose and obsidian was recorded in maine and engineered by big blood’s caleb mulkerin. both he and the band deliver a powerful yet fragile and personal release. the mythical and evocative recordings are inspired by maine s rugged coastlines, mournful ripples of sound wash up on the shore, whilst a lonesome, at times harrowing saxophone drifts through the rolling mountains, providing unsettling melodic interludes. electronic treatments veil organic sounds, a fleeting whistle meets spontaneously with spacey flutes, mutated rock rhythms are topped off with the soaring vocals of suzanne stone who leads the listeners into the magical world of the million brazilians.

vinyl speed adjust return to pressure traxx. was about time for the boys to return after their block rockin beatrock debut in 2014. and here they are, back with two slick club cuts for your technics tricks. technicolor.

sharivari records is back with its 14th release, by lyon-based producer noma, part of the palma sound system and half of d104. from slow & raw trippy marching theme, to some fast & acid techno anthem, including a 10-minutes psychedelic & analogue techno trip from the great duet nummer. recommended.

hazardous d&b reworks for club situations! repress on clear red vinyl.

best of ... woowwww

sehr nützlich, dämpft vibrationen, 1 paar (2 stück)

does the world need more acid? yes it does! the r-a-g trio aka dutch producers ma spaventi, g-string & aroy dee deliver three raw acid-jams with aroy on the couch working the mic. the lyrics of dreadfully nervous are based on a edgar allan poe story. dreadfully nervous (aryd s acid mix) is a gurgling brew of squelchy acid with dark vocals and pinging cowbells pulling you in all directions. coarse claps and ever more wild synths encourage you to cut loose and make for another timeless cut. dreadfully stoned is more stripped back, with a rubbery arpeggiated synth the main hook over subtle, supple drums. those dark spoken word vocals are back again and the whole thing is freaky and unsettling as a result. last of all is the bright and glistening no soul with metal hits and claps and prickly acid all bursting out of dusty chicago drums. it s raw and sure to fire the synapses just like r-a-g productions always do.

listing somewhere between the cognitive and the corporeal comes the third release from gratone.-the periphery of a building-, a live remix work featuring long-time collaborators audun kleive on percussion and jan bang on live sampling sees the young norwegian label expound on the territories between extended jazz and the dance floor through a four track lp. veterans audun kleive and jan bang tap into something innate that moves perpendicular to the techno ethos perpetuated by the label s previous releases. -the periphery of a building-, is a work that brings the past into the present and draws a red thread between genres. it juxtaposes disparate ideas between the dance floor and jazz, and ensnares itself in the tangled web of tradition and progress in a bold indefnable musical dialect. upholding the ethos of gratone by negating expectation -periphery of a building- also calls in a new era for the young, but fertile label. -periphery of a building- is kleive and bang reconsidering live punkt remixes* of etenesh wassie & mathieu sourisseau, atomtm and clarinet factory & floex. in their selection of source material for the gratone lp, they eradicate, and then reconstruct tradition. *the punkt live remix concept puts third-party musicians, producers and composers in a real-time remix situation during a punkt festival live show. fiona talkington: stian balducci s gratone (grey tone) label inhabits an exquisite genre-defying world.the latest release features two of norway s legendary, pioneering musicians, live sampling guru and co-director of the globally acclaimed punkt festival jan bang, and audun kleive, a musician whose work over the decades has repositioned the language of drumming. together they forge an exquisite, adventurous path, as delicate as chamber music, as powerful as rock, and engage with samples with respect, a spirit of adventure and a creative vision which is simply inspiring. limited 180gram vinyl in hand stamped recycled cardboard jackets with silkscreen print.

penelope is the 2nd installment from the ag & john robinson ep series produced by ray west. this time around they call on the prolifc west coast wordsmith blu on the title track “penelope” where all the emcees are painting verbal pictures of their own personal dream girl, this track also features frequent collaborator dave dar. the soundscapes provided by ray west are ill collages of jazz loops, live horns, percussion sounds, vintage drum machines and more. each of these recording sessions were labeled “tea with the butcha” by the collective and it truly does describe the essence of the sounds and conversations on these recordings.

justin timberlake, the multi-platinum pop star, actor and owner of handfuls of grammys and emmys, composed the orchestral film together with mitchell owens. his debut composition is nothing but amazing. justin takes you on a minimalistic reflective trip. the score is emotionally driven and shows pure honesty, which is the most supreme form in which an artist can express himself.
first pressing of 1.000 numbered copies on solid red 180 gram vinyl.

aufgenommen wurde universal high im sommer 2016 in den maze studios in atlanta, wobei niemand geringerer als der legendõre ben h allen (gnarls barkley, animal collective, deerhunter) in die produzentenrolle schl³pfte und mit bandleader ben romans-hopscraft eine kreative allianz formte. man k÷nnte -universal high- durchaus als eine wiedergeburt sehen: es setzt sich fast bis zur unkenntlichkeit vom dub-geladenen psychedelic-indie ihres deb³ts ab. der neue sound ist dagegen viel mehr geprõgt von den stra?en des s³dens, auf denen er entstand, vermischt mit dem 70 s soul von the isley brothers, curtis mayfield und shuggie otis.

this dirty and groovy slice of house music begins as a vintage quarion production with its funky beat, bubbling sub bass and strings. after a quick build-up, the track introduces a filtered chord sequence that grabs your attention straight away. the chords slowly unfold with subtle new harmonies until the break brings forth an exciting new bassline

industry veteran paolo martini is next to join the emerald city family with red rocks. bringing the funk, he delivers a solid two-track release with irresistible groove and dance-floor disco heat. paolo martini has been in the business for over 30 years, first releasing with gianni bini on various labels such as defected, strictly rhythm, universal, azuli and nervous. they soon established their own label ocean trax and handled remixes of kylie minogue and jamiroquai. paolo has also been testimonial for several clothing brands including diesel and adidas and also the rane mp2015 mixer. his following co-productions can be found on acclaimed labels such as hot creations, snatch!, moon harbour, 8bit, saved and cecille amongst many others. 2017 starts the beginning of a new adventure with a string of releases geared up under his new solo project.

the super sounds of the seventies is a selection of seminal and sometimes wacky hits by artists such as stealers wheel, harry nilsson and joe tex. the movie also raised public interest in the dutch band george baker selection, due to the use of his “little green bag” in the film’s opening titles.
keep on truckin !
limited 25th anniversary edition pressing of 3.000 numbered copies on ear bleeding red 180 gram vinyl.

the maginificent seven is a remake of the 1960 same-titled western film, which in turn was a remake of the 1954 japanese classic film seven samurai. the score will be the final james horner score to be released posthumously.
presing on 180 gram audiophile vinyl, housed in a gatefold sleeve with 4 page insert included.

limited red double 7 inch vinyl in gatefold sleeve, featuring non-skip loops on the front and serato control on the flip.

* two brand new reggae roots vocal tracks featuring danny red and paul fox are now available on a double a side 12 inch vinyl ep.
* both singers have been busy in the uk sound system scene since the early nineties. also featured are, a side: ras happa (bongos) & fullness (drums).
aa side: jahman dan (bongos) & fullness (drums).
*the two songs are called lion in me and still chanting . each song features both singers in collaboration style and also has two dub versions. it is a joint project between sound business and ababajahnoi labels on the newly formed red fox label.
*12” in plain sleeve, poly sealed outer.
*vocals & dub recorded at sound business.
*produced by: paul fox.
*limited initial press.

joshua tree - 30 years re:isue - comes on double heavy weight vinyl

der legendäre dj, musiker und produzent andrew weatherall adelte die aus newcastle stammende formation warm digits mit den worten: -machine funk kraut-a-delia - it’s rather lovely!- was man darunter verstehen darf? elemente von neu!, kraftwerk, giorgio moroder, my bloody valentine und boards of canada, welche die beiden musiker andrew hodson und steve jefferis mit hilfe von geradliniger percussion, elektronischen basslines, gitarren-riffs im stil von keith levene (the clash) und viel analoger wärme zu einem -krautophonic blizzard-wave- verbinden. das brachte den jungs schon supporttouren mit goblin, modeselektor, esg, st. etienne und dem moon duo ein. für sein drittes album hat das duo seinen sound weiter geschärft: -wireless world- wartet mit einem dutzend knackiger, treibender und melodisch reicher songs auf. zum ersten mal in der bandgeschichte kam es bei den aufnahmen zu kollaborationen mit lieblingssängern und -sängerinnen wie peter brewis (field music), sarah cracknell (saint etienne), devon sproule und mia la metta (beards). das album möchten hodson und jefferis als kommentar zum aktuellen weltgeschehen verstanden wissen, das ihrer ansicht nach auf der kippe zwischen feier und untergang steht.

deluxe 2 lp set, includes 16 performances from hendrixs july 4, 1970 atlanta pop concert. mastered by bernie grundman. pressed on 180 gram audiophile grade vinyl. housed in gatefold sleeve, including 8 page booklet filled with never before seen photos and detailed liner notes.

music must be free. freedom in music is often suppressed by lack of, or by obstacles for creativity, which stops forward progression. the development that fontan’s songs have gone through, reaching this ep is unexpected and surprising but still, the bodies and characters of the original songs are intact and recrafted with fingerspitzengefuhle. from the core of fontan’s psychedelic and dreamy music, the artists involved on this release have hit cuts and chips off like cro-magnon people creating specific tools. tools with the power to blow holes open in the listeners mind.

the 2nd solo album from wu-tang clan member gza aka the genius, originally released in 1995. one red, one blue vinyl.

andrew lysters (meandyou) youth label kicks into gear with this limited nailer from shamos <br> limited to 300 transparent red vinyl
the 2nd release on youth comes from london artist shamos. with lyster having met shamos through nts it wasn t long before they were dj ing together around parties in london and shamos began sharing music with him. shamos, who last released on funkinevens apron label, comes with a heavy 4 tracker bringing the punkier dregs of new wave, dreamy abstract house and tripped out hardware jams, on limited red vinyl.

180 gram double vinyl release, cd-copy of the full album included.

while red axes s ode to the sun is still running strong one and a half years after its release (it even made it into last year s top 50 at resident advisor), here comes the heavyweight remix package: german wunderkind konstantin sibold is hitchhiking the original into afro rave territories with vodoo percussions and a hauting bassline that will be hard to escape from. fango from the italian degustibis family continues his string of strong remixes as he turns the original into a rough beat version just to drop the melody in the break for maximum dancefloor mayhem. and last but not least the axes themselves come up with a tropical house version that works any time any place. and thus the sun continues to shine.

after the huge success of their first collaboration, doorly and el prevost are back for part two: this time the world touring doorly serves up a hot original that gets remixed by red rack‘em and el prevost, while el prevost also serves up an original of his own, all on his own no speakers label. the first ep, featuring a lee foss remix, got support form the likes of paco osuna, solomun and groove armada and this second instalment is set to be just as big this summer. doorly is a dance heavyweight who headlines clubs like space ibiza on his global travels, releases on cajual, hot creations and dirtybird and is no stranger to hitting high places in the charts with his big and infectious sounds. as a dj he is energetic and can make a mark on any dance floor, and so will this new tune, ’sonder.’ it is six superbly deep and atmospheric minutes of warm, rolling drums and searching synths that bring an intergalactic feel next to twinkling keys. jostling percussion brings a little loose funk and the whole thing is sure to lock in dance floors. el prevost then steps up to remix after 15 years of putting out killer cuts on labels like third ear. his music has made its way into the record bags of tastemakers like steve bug, dj hell and steffi and this excellent remix shows off his singular style again. it is a little tougher and more energetic than the original, with sprinkled hits, rumbling bass and pixelated synth lines dancing about up top. then comes red rack‘em, the bergerac boss who had a huge hit with ‘wonky disco bassline banger’ last year. it was one of the tracks of the year and has been followed by an equally brilliant album by this esteemed house veteran. his remix here is big, bouncy and off kilter thanks to its coarse hi hats and punchy rubber drums. great vocal treatment adds more wonkiness and broad synth strokes flesh things out into another sure-fire party starter that sounds like little else. last but not least, el prevost offers up a solitary state mix of his own ‘temper mental’. it’s a hugely inventive track with great synth modulations burrowing deep into your brain as dancing hi hats and whirring bass encourage you to cut loose and shift freaky shapes. this is a strong ep that really packs a punch across four standout tracks.

das 2013er mixtape des west coast-rappers nispey hustle erscheint erstmalig als limitiertes 180g doppelvinyl in farbe. das album erlangte 2013 nicht zuletzt große aufmerksamkeit durch nispey hustles entscheidung 1.000 limitierte cds für je 100 usd zu verkaufen, wovon jay z durch roc nation direkt 100 stück kaufen ließ. als gäste sind rick ross, slim thug, dom kennedy, james fauntleroy und viele andere vertreten.

limited reissue on red 180 gram vinyl with download code included.

welcome to the ska beat!. the sound that came from jamaica between 1961-67. based on the american rnb and doo-wop records that sound systems in kingston town used to play. the american records style started to mellow out while the jamaican preferred a more upbeat sound.. so to meet this demand the sound system bosses became record producers to cater for this demand. sir coxonne and duke reid lead the way by putting the top musicians on the island in the studio to make this ska sound!! here for your enjoyment is a selection of the some of the top tunes that made ska so great… we hope you enjoy the best….

ltd red vinyl - im hauptfokus des albums ore sind drums, umspielt von elektronisch manipulierten texturen und akustischen details. Über die jahre hat belfi eine soundwelt kreiert, die gleichermaßen ein drum set-up mit elektronischen komponenten vereint. es war ein langer weg, die akustik seines saari drumkits zu entwickeln, bis es seinen ansprüchen genügte. in perfekter symbiose stehen die elektronischen elemente des nord modular und samplers. beide welten vereinen sich auf ore. belfi ist bekannt für seine energetischen und charismatischen auftritte. solo, sowie als teil seiner unzähligen kollaborationen. 2016 war er mit nonkeen auf tour, der dreiköpfigen band von nils frahm. belfi war schnell das highlight der shows, nachdem sie das london barbican centre ausverkauft hatten. mit seinem beeindruckenden und explosiven drum soli, wurde dies ein unvergesslicher moment.

10 skip proof scratch sentences from dj woody on single-sided transparent red 7 inch flexdisk.

repress of this kerri chandler masterpiece!

kuzma palkin for the 4th release of gost’s instrument series. pressing on blue and red coloured 2x10 inch vinyl.

celebrating their 250th release in style, jalapeno founders skeewiff return to some of their foremost classics on a cheeky scarlet 45. the instantly distinctive mel torme cover “coming home” gets a cool stripped back twist that’s not seen the light of wax before while “triumph stags” swings like the 60s are still a thing. a witty riposte to brexit or just a damn fine pant-whirling party track? you decide.

killer ron allen and hayden andre release!! originally released in 1991, and the first release on their soon to be cult imprint strobe, metamorphasis is a strong statement of intent, across six tracks allen and andre lay down a plethora of styles ranging from the deepest house sounds to more warehouse leaning bleep style tracks, deep sub bass, dreamy washing pads and taut drum programming are all the order of the day here and boy are we all the better off for it! this is essential stuff for all house and techno lovers out there, the real deal indeed! essential!

nice price deal !!! jazzmin records gives the the horses a chance to set the record straight by releasing the real acid village. acid village now comes in an exclusive vinyl mix with an extra analog flavor. on the flip, housekeeping is a preview from the horses forthcoming album. this track has been played by a few deejays and a fair amount of cleaning-ladies around the world. and to show you how much we love those tracks we pressed them onto a gorgeous red vinyl that will match your shoes so well